
Sarfati has said about this work, “I like doubles, like mothers and daughters, or sisters or reflections. This represents my research into women’s identity…I am interested in fixing that instability.”
French-born Sarfati has worked and lived part of the time in the US since 2003, and She is her third series of photographs made there. Sarfati prefers to make her work in small towns where life is slower and she can get to know her subjects. She was shot in four different locations: Oakland, Berkeley; San Francisco; Los Angeles and Phonenix, Arizona. The American backdrop also provides a prosaic normality to the images and roots them in the everyday vernacular of small town life. This counterpoints the strangeness of the women as captured by Sarfati – Christine stares out wearing a bridal dress and veil, something she kept though she never married, her red lips and tattoos in defiant contrast to the traditional image of a bride. Gina walks empty handed out of a liquor store and in another image gazes into the distance while she smokes a cigarette. Why and for what purpose is never revealed, but the haunting strangeness of the images remain with the viewer.

Lise Sarfati (b.1958) has produced six series of works in the US each followed by major exhibitions and publications. These include The New Life (2003), Austin, Texas (2008) She (2005 - 2009), Sloane (2009) and most recently On Hollywood (2010).
Her work has been exhibited internationally at major galleries and public institutions including Yossi Milo Gallery, New York; Rose Gallery, Los Angeles; Maison Européenne de la Photographie, Paris: Maison Rouge, Paris; FOAM, Amsterdam; Photographer's Gallery, London and Nicolaj Center of Contemporary Art, Copenhagen.
A retrospective of Lise Sarfati’s work will be at the Bibliothèque Nationale in Paris in 2014.
She, a monograph published by Twin Palms with a text by Quentin Bajac, will be released in Spring 2012.
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