http://scotiabankcontactphoto.com
Friday, May 30, 2014
Martina Bacigalupo at CONTACT Photography Festival
Martina Bacigalupo's installation shots at Toronto Pearson International Airport for CONTACT Photography Festival!
http://scotiabankcontactphoto.com
http://scotiabankcontactphoto.com
Clare Strand's new exhibition in Krakow
Clare Strand's first post on tumblr about her new show in Krakow: Further Reading at the National Museum of Krakow as part of Krakow Photomonth.
http://clarestrand.tumblr.com/
http://clarestrand.tumblr.com/
Friday, May 9, 2014
Friday, April 25, 2014
Tuesday, April 15, 2014
Monday, April 14, 2014
Friday, April 11, 2014
Monday, April 7, 2014
Monday, March 31, 2014
Thursday, March 27, 2014
Martina Bacigalupo's Gulu Real Art Studio featured on the Internazionale
Click here for full article
Thursday, March 20, 2014
Monday, March 10, 2014
Monday, March 3, 2014
Tuesday, February 25, 2014
Sophy Rickett: Objects in the Field - TALK
Sophy Rickett will be in conversation with Barry Phipps
Barry Phipps is a curator and a fellow of Churchill College, University of Cambridge
March 12th, 2014
6:30-7.30 pm
The talk is free but places are limited
RSVP: elisa@camillagrimaldi.com
Camilla Grimaldi Gallery
25 Old Burlington Street
4th Floor
London
0203 637 0637
Sophy Rickett will be in conversation with Barry Phipps
Barry Phipps is a curator and a fellow of Churchill College, University of Cambridge
March 12th, 2014
6:30-7.30 pm
The talk is free but places are limited
RSVP: elisa@camillagrimaldi.com
Camilla Grimaldi Gallery
25 Old Burlington Street
4th Floor
London
0203 637 0637
Monday, February 24, 2014
Clare Strand featured in El Hotel Eléctrico – Rooms Available at M HKA in Antwerp
February 21- May 11th 2014
When does animation become art? What remains of animation when it leaves the cinema or TV screen, and manifests itself in other spaces? The exhibition El Hotel Eléctrico – Rooms Available sets out in search of the many expressions of the phenomenon of ‘animation’ in a broader sense, starting with the medium in its earliest forms, at the time when this artistic practice was not yet constrained by the conventions and clichés of the film industry.
February 21- May 11th 2014
When does animation become art? What remains of animation when it leaves the cinema or TV screen, and manifests itself in other spaces? The exhibition El Hotel Eléctrico – Rooms Available sets out in search of the many expressions of the phenomenon of ‘animation’ in a broader sense, starting with the medium in its earliest forms, at the time when this artistic practice was not yet constrained by the conventions and clichés of the film industry.
When animation leaves the confined frame of the movie screen and pops up in a museum, it no longer offers the visitor a purely visual experience, but rather creates a space in which exploration is encouraged.El Hotel Eléctrico was conceived as a visual essay, a space-related experience. Animation here is understood as entering a force field: the manipulation of images and objects in 'staged' museum rooms, the bridging of intervals.
In El Hotel Eléctrico, visitors step into another time and space. For much like a hotel, a museum is a place where every visitor is but a temporary guest. The tension between public and private, between neutral interiors and personalized objects, between waking and sleeping, and between working and dreaming creates playful contrasts in every single 'room' of El Hotel Eléctrico.
El Hotel Eléctrico presents an alternatingly merry and macabre, monochromatic and brightly coloured, magical and mysterious framework for works by Robert Breer, David Claerbout, Robert Devriendt, Léon Foucault, Sara van der Heide, Pierre Huyghe, Katrin Kamrau, Julien Maire, Anthony McCall, Lars Morell, Matt Mullican, Philip Newcombe, Honoré d’O, Roman Ondák, Cornelia Parker, Philippe Parreno, Bart Prinsen, The Quay Brothers, Yann Sérandour, Tommy Simoens, Michael Snow, Clare Strand, Javier Téllez, Luc Tuymans.
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